View from the Bench at Claypits III

View from the Bench at Claypits III


Watercolour on A5 Khadi Rag Paper (320gsm)


'This series of watercolours on Indian Rag paper was made throughout January’s lockdown, during which I was staying at my Dad’s house, Claypits, in the Suffolk countryside. The paintings contain both a nostalgia for my childhood spent in Suffolk, and a sense of escapism to an imagined version of reality, reflected in the over-saturated colours and dreamlike quality of blended paints applied to pre-wetted paper. 


I was recently amazed to learn that British landscape painter John Addyman lived at Claypits in the 1950s. Mainly a watercolour painter, he is renowned for his wonderful sense of colour and apparent casualness masking meticulous care.  I am fascinated by the fact that I’m standing in the same spots, painting the same views as Addyman was years ago, and I have been influenced by his techniques and approach.


Painted en plein air from a bench and other spots near the house, these paintings express my appreciation for the Suffolk countryside, both as a link to the past and as a source of inspiration for a rose-tinted version of present reality.’


Options for this piece to be mounted and framed by hand, by my local framer,  Annika.  For specific framing requirements, please contact Georgie directly before buying.